Tuesday, June 24, 2008

Stories in the Snow: Winter in Yellowstone 2007

[In January 2007 my friend Trish and I spent several wonderful days in snow-shrouded Yellowstone National Park, hoping to see wolves. Here's a post about the first day of our trip.]


I grew up mostly in Connecticut and Wisconsin, and I moved to Northern California more than twenty years ago largely to escape cold weather. I don’t like snow, and I despise ice, which made the sidewalks and roads of my childhood impassible, broke branches off my favorite climbing trees, and knocked out electrical service for days at a time. The mere sound of wind whistling past the window gives me goosebumps, and a radio announcer reading out the wind chill numbers in predawn darkness brings back the worst memories of my teenage years. My extended family still lives in and around Madison, Wisconsin, but they have gotten used to not seeing me during any month that snow might fly.

They’ve also gotten used to my predilection for chasing wildlife all over the world. So they were not surprised to hear that I was planning a vacation to Yellowstone National Park. They were not surprised to hear that my main objective was to spy upon and if possible photograph the wolves that were reintroduced to Yellowstone in 1995 and 1996 with great international fanfare and more than a little protest.

They were a little surprised by the time of year I was going, though. “January?” My grandmother asked on the phone after a pause, perhaps wondering if she had heard me right. “But, Jen, what about the snow?”

It had taken my friend Trish, who is usually my “wingman” on land-based wildlife-themed adventures, a couple of years of talking to get me past the snow. The wolves of Yellowstone, it turns out, are best seen in snowy conditions. They don’t particularly like getting close to people, so the more people there are – and there are apparently a lot of them in Yellowstone during the non-winter months, judging from the photos of traffic tie-ups on the main park roads I saw – the less visible the wolves are. Their coloring, which varies from white to gray to black to brown to gold and sometimes combines all those shades in one pelt, helps them vanish into the background of the magnificent Yellowstone countryside. They stealthily move through the lush and thick tree and brush cover from spring through fall.

Couldn’t we go in really late fall, I had countered when she showed me the catalogs of black wolves staring majestically down from what looked like 20-foot high snowbanks, when the leaves had fallen off the trees but the snow was not yet on the ground? Or maybe really early spring, when the leaves were still curled in their buds?

But, no, more research revealed that Trish had it right: our best opportunities to view wolves in the wild would be when the park was shrouded in snow and there were only a few really dedicated researchers and really crazy wildlife watchers on the ground. So I signed up for the tour and booked my flight to Bozeman, Montana. Then I trekked off to REI to buy out their long underwear department, hit up another sporting goods store for a pair of insulated ski pants that made feel like a Michelin woman, and found waterproof, double-insulated snowboots, quilted gloves, and a matching parka at Lands End.

And so on the afternoon of January 21, 2006, Trish and I stood at the window of our hotel room in Gardiner, Montana, staring across the Yellowstone River at an elk walking down a neighborhood street. It meandered through one yard after another, browsing brown-looking tufts of grass or sticks that poked through the snow pack, ducking its huge antler rack to go under a clothesline here or maneuver around an ornamental tree there.

Gardiner is a little city just outside of the North Entrance of Yellowstone National Park, and Trish and I and the dozen other tourists who comprised our tour arrived there by shuttle bus from Bozeman in the fading afternoon light. Between the early darkness, the freezing weather, and the fact that Trish was in the throes of a horrible cold-flu bug (which I of course would get as the trip unfolded), we were not inclined to do much exploring. The glimpses I caught through the bus and van windows as we shuttled through the little town showed buildings with a very Wild West look to them, and there were some inviting-looking galleries and restaurants that I hope to return to sample during warmer weather someday.

That night, the lone elk was the only sign of life I saw outside of the Wild-West-Saloon-Style restaurant where our naturalist guides, Peg Abbot and Ellie Van Os, took us for our getting-to-know-you dinner. We sat around eating warm and welcome comfort food and introducing ourselves, talking about where we lived and worked and comparing notes about other natural history tours we had enjoyed.

Our group was fifteen travelers, three of them men, mostly from surrounding western states. The exception was James from Scotland, who charmed everyone in the group with his accent and his helpful ways. The next morning we began our wolf hunt after a 6:30 breakfast. We divided into two large white vans that each had three bench seats in addition to the driver’s and front passenger’s bucket seats. All of us were dressed as the literature on preparation for the trip had suggested, in layers of long underwear, jeans, turtlenecks, sweaters, snow pants, and parkas, topped off with warm hats, scarves, gloves, and mittens. Although the benches were wide enough for three people who weren’t bundled up for winter survival, we were glad to be sitting only two to a bench! I was worried that I’d overheat inside the van and end up feeling travelsick, but we stopped and got out of the van so often that the heater never really caught up with us.

As we eased out of Gardiner that first morning, it was clear and cold. We turned into the park and drove through the lovely stonework arch that forms the North Entrance. A herd of bison had been there recently enough to leave a trampled snowy field dotted with piles of dung. “They drive the custodians for Gardiner’s school sports fields nuts during football season,” Peg said.

The roads through most of Yellowstone are closed during winter, but the main artery running through the park from the North Entrance to Cook City just outside of the Northeast Entrance is plowed, and this is where we would be looking for wolves. “We don’t have to leave the road to see them,” Peg and Ellie had explained during our orientation meeting the night before, which had included a post-dinner showing of an old movie about Yellowstone’s natural history. Some of the most successful packs live in and around Lamar Valley in the northeast corner of the park, which the plowed road runs right through. Wolf researchers and tourists alike set up their spotting scopes in parking lots and pullouts up and down the road.

“We’re not looking for wolves, really, we’re looking for signs of wolves,” Peg explained as she drove us through the Park Headquarters at Mammoth Hot Springs, which we would come back to explore later. “Keep your eyes open for black birds congregating around anything out in the snow – magpies, ravens, and vultures are usually our first indication that there’s been a wolf kill. The wolves usually make their kills and do most of their feeding at night around here, but then they often rest not far from the kill, and some of them may come back to the kill to carry away a haunch or whatever. So we may be able to track them from a kill to wherever they are resting.

"The other thing to look for is parked vehicles with people staring into the distance using binoculars, spotting scopes, or cameras. Chances are pretty good they are watching wildlife, and if we’re really lucky, they’ll have found wolves.” She held up a handheld two-way radio and explained that she knew a lot of wolf researchers from her years of working in the park when the wolves were first being reintroduced. If we weren’t having any luck, she could monitor the chatter of wolf researchers and check in with them for good wolf-viewing locations, as well.

As we wound down into the Lamar Valley, passing hillside after hillside swathed in snow that was a day or two old, I marveled at all the animal tracks that the white stuff had preserved. I could see the deep, narrow marks in the snowbank where elk had crossed the road and clambered up. They contrasted with the plowed-out paths left by bison whose bodies were like small bulldozers. Then there were small coyote tracks that barely broke the surface, and the delicate foot- and wing-prints of birds.

Peg parked us in a small pullout and led us up the road a short distance, saying, “We saw a lone wolf along the river down there yesterday, and he was coming in this direction. I think I see the tracks where he came up from the river and crossed the road.” She pointed to a narrow set of depressions that ran in a wavering line up from the river valley, and sure enough, we found several clear prints in the thin snow near the road’s edge. I pulled off my glove and spread my fingers above one of them, and was stunned to see that the print was bigger than my palm.

We loaded back into the van and went on, stopping to view a couple of old kill sites – places where wolves had brought down a lone elk some time in the week or two before. All that was left was a skull, a few rib bones, and a curve of spinal column sticking starkly out of the snow. Even the magpies had given up on the site, since it had been stripped of every bit of meat, gristle, sinew, skin, and even fur by the usual succession of visitors to a kill: the wolves who killed the elk as a coordinated group and then ate until their stomachs bulged; followed by coyotes, vultures, and even bald eagles, who would fight over the remaining choice scraps; followed by the ravens and the magpies, who hovered over the kill and darted in to steal scraps from the stronger, fiercer animals as they became satiated. Foxes might sneak in for a bite if they were in the neighborhood at the right time. The coyotes and birds would return again and again, removing the less and less choice bits, until all that was left were bones.

The entire story lay there for the reading in the snow itself, packed down by one wave of scavenger after another. The marks of running elk pursued by loping wolves vanished into a packed-down area formed by falling, rolling, struggling bodies. Blood stained an area where a wolf had pulled away a good-sized chunk of meat and retreated from the pack to eat it in peace. The scattered bones of a rear leg marked where a pair of coyotes had dragged a relatively intact haunch to feast upon. Wolf and coyote and bird tracks overlapped, and the snow was bloodstained, pitted and packed from being trampled repeatedly by every type of scavenger in the park.

We got back into the van and a few curves later came upon a snowy hillside that told a different story: the pell-mell flight of a small band of elk, the faltering steps of one of its members, blood and compressed snow, and then a drag mark leading to a stand of trees.


“That could be a cougar kill,” Peg said as we looked at the marks with binoculars. “That’s one difference between the canids and the big cats. The wolves can eat until they literally look like they’re going to burst – they pack pounds of meat into their bellies in one sitting and have to waddle away when they’re done. The big cats can’t eat like that, they have to eat just a little bit at a time, so they cache their kills, hide them away in a spot like this and guard them, and come back again and again to eat small meals. One kill might last a cougar a week or two if it can keep the carrion from being found by the birds. Once the birds find it, it’s all over with, because they broadcast the news to the world.”

We made a number of other stops along the road that day, pausing to talk to researchers, other wolf-watchers, and filmmakers. We saw coyotes in the distance, several small herds of elk, and a few bison as well. But although we scanned the trees and ridges with our binoculars and spotting scopes, we didn’t come across any wolves before we had to exit the park at the Northeast Entrance and make our way to our motel in Cooke City.


Snowflakes were flying by the time we bundled up for our short walk to dinner at a nearby restaurant, but I didn’t mind. Seeing the stories told by the tracks had given me a new perspective on snow, and I went to bed eager to see what stories a fresh blanket of the white stuff would have to tell me in the morning.

Monday, June 9, 2008

Review of The Fault Tree

The Fault Tree: A Mystery
By Louise Ure
St. Martin’s Minotaur; 2007; 336 pages; $24.95 (hardback)

When I signed up to attend the Book Passage Mystery Writers Conference in 2007, one of the assignments I gave myself to prepare for the conference was to read the first book of at least six of the faculty members I’d be encountering there. This exercise exposed me to some wonderful writers I hadn’t read before, and one of those was Louise Ure.


Her first mystery, Forcing Amaryllis, was a real pleasure to read. Her descriptions brought the southwest setting alive and her protagonist was a strong, smart, outspoken woman I enjoyed getting to know. So I was more than a little disappointed when, while talking to Louise during one of the conference lunch breaks, I learned that she considered Forcing Amaryllis a “stand alone” book rather than the beginning of a series. Her second book, which was due out in late 2007, would feature a new protagonist.


Just before The Fault Tree came out, I received another unwelcome shock: the protagonist of the new mystery was BLIND, and much of the story was told through her sightless point of view! I cringed. I’m a very visual person, and when I read, a movie plays in my head. For that matter, when I write, I’m describing a movie I see in my head – it requires some discipline and a lot of revising on my part to incorporate senses other than sight.


With these two strikes against it, I couldn’t imagine how The Fault Tree could possibly meet the expectations that Forcing Amaryllis had set.


I am happy to report that my preconceived notions were wrong.


Cadence Moran is an antisocial young blind woman with an ear for trouble. She makes her living as a mechanic who uses her senses of hearing and touch to troubleshoot engine problems that cannot be solved by reading meters or thumbing through a shop manual. Socially isolated as much by choice as by her “handicap,” she taps her way through life with a hand-carved cane, choosing well-known physical and emotional paths that hold no surprises and no variations – paths she’s so familiar with they’ve truly become ruts.


Early in the book, Ure immerses us in Moran’s world through her character’s keen sense of hearing: “A lawn sprinkler ratcheted around several yards to my left…and a horn honked down by the Guardian Motel on the corner. Although the air was cooling, Apache cicadas still thrummed in concert from the cottonwood tree down the block. Farther away I heard the dentist’s drill whine of a Japanese motorcycle…”


While navigating the virtual rut between the shop where she works and her tidy little house, Moran is nearly hit by a speeding driver. She soon discovers that the car was likely barreling away from the scene of a murder, and goes to the cops with what little evidence she can offer: a distinctive engine noise and the smell of antifreeze. The cops give little credence to her story until she has another violent encounter with the same – at least by the sound and smell of it – vehicle. But by then the police interest seems to be too little, too late. For the killer doesn’t realize that Moran is blind, and wants her permanently silenced.


As the story unfolds, Ure skillfully rotates viewpoints from Moran’s first-person narration to the villain’s and cops’ third-person points of view. In these differing points of view, descriptions of place help reveal character even as they anchor the reader in the Tucson setting.


The bad guy’s hideout is described as “Thin walled and tin roofed, with acres of creosote-choked desert between him and the nearest neighbor, the house was the perfect hideaway. No tourists or fancy buildings out here. Just rusty old vehicles and worthless land. Everybody on the shitty side of town had something to hide.” This character has fallen backwards into a quagmire of crime, and throughout the story I found myself rooting for him to make the right choice and find redemption.


The appealing sense of humor of one of the detectives, August Dupree, comes to light when he goes to the Arizona-Sonora Desert Museum to interview a friend of the murder victim. “Dupree’s favorite part was still Prairie Dog Town, a patch of sandy soil surrounded by a waist-high wall and studded with a warren of small holes the prairie dogs dug for concealment. It looked like a life-size version of a Whack-A-Mole game…”


Ure does a good job of escalating the action and the stakes as the story moves along. The backstory of the accident that resulted in Moran’s blinding eight years before the story opens is woven nicely into the novel’s fabric. Moran is an appealing character with understandable flaws and believable fears. Once she is jolted out of the narrow rut of her self-circumscribed life, she stretches and grows in both the practical and emotional realms.


Coincidence is always a tough thing for me to swallow in a mystery, and I did find it a little hard to believe that the only friend Moran has works as a crime scene technician for the Tucson police. The pigheaded refusal of one of the detectives to give any credence to a blind woman’s testimony also seemed, if not melodramatic, at least to drag on through too much of the story – I found myself hoping that a real-life cop wouldn’t be such a jerk, or at least wouldn't be such a persistent jerk.


But these minor flaws did not mar my enjoyment of The Fault Tree. I found myself turning pages quickly, unwilling to set the book down, and staying up later than I should to read just one more chapter…always the mark of a good mystery.


The Fault Tree more than met the expectations set by Forcing Amaryllis. I look forward to Louise Ure’s next endeavor, even if it is another “stand alone.”

Monday, June 2, 2008

Review of Shell Games: A John Marquez Crime Novel

Shell Games: A John Marquez Crime Novel
By Kirk Russell
Chronicle Books; 2003; 347 pages; $12.95 (paperback)


[A truncated version of this review appears in the June 2008 issue of Between the Tides, the quarterly newsletter of Friends of Fitzgerald Marine Reserve. http://www.fitzgeraldreserve.org/]


I grew up on the east coast, spending most of my elementary school years in Connecticut. Every summer my parents took me to the coast of Maine for a week or two, and I fell resoundingly in love with the Atlantic Ocean and its inhabitants – especially marine mammals – as a result of those trips. After my parents divorced I spent a landlocked adolescence in Wisconsin. When I was twenty-one I lit out for the West Coast in the old Chevy Malibu I inherited from my mother before the ink was dry on my Beloit College degree.


I had completed my degree in 3.5 years, motivated by a strong dislike of being trapped in classrooms and hog-tied with institutional red tape, so it was late January when I first saw the Pacific Ocean. I no longer remember the route I used to cut across the state, but I was somewhere in southern California, twisting along on Highway One on cliffs high above the water, when I noticed a cluster of large boats very close to shore.



It was a spectacularly clear and sunny day, the kind implanted in my brain by hours of listening to the Beach Boys’ golden oldie “California Dreamin’” while I studied in snow-blanketed libraries and dorm rooms. Watching the almost motionless boats while I wondered what they were doing in a spot that was so obviously not an anchorage, I suddenly saw one, then three, then half-a-dozen puffs of spray.


Whales! I swerved into the nearest pullout, yanked my binoculars out of my backpack, and reveled in the sight, wishing my mother, who had been even more of a marine mammal enthusiast than I, was still alive to enjoy the scene with me. I learned from a roadside interpretive sign somewhere along the way that these were gray whales, and that they followed the coast of California on their migration north and south between Alaskan feeding waters and breeding lagoons in Baja, Mexico. It took me many hours, with many roadside stops along the way, to inch my way up the coast.


I arrived in Mendocino, California, late the next day, and by the time I had been ensconced in my Aunt Jane’s spare bedroom for a couple of weeks, some gray whales had worked their way that far north. I saw them daily on my walks on the trails of Mendocino Headlands State Park, and the three week California visit I had planned turned into a permanent relocation when I went to work at the historic Ford House Visitor and Interpretive Center. (http://www.mcn.org/1/mendoparks/mndhdld.htm)


For a year I worked there, exploring the myriad other state parks, wandering daily through Highlight Gallery and the Gallery Bookshop, and haunting the bakery and The (now-defunct) Chocolate Moose. (http://www.mendocino.org/html/shop.html)


After I moved to the San Francisco Bay Area to work as a technical writer, Aunt Jane relocated to Fort Bragg, the mill town twenty minutes north of Mendocino, and my visits included exploring the Mendocino Coast Botanical Gardens, going to Glass Beach, walking the Ecological Staircase at Jug Handle State Reserve, and camping in Russian Gulch and McKerricher state parks. (http://www.fortbragg.com/fort-bragg-attractions.php)


In between visits to Aunt Jane I came to know and love other spots on the Northern California coast, including Sausalito, Bodega Bay, and Pillar Point Harbor in Half Moon Bay.


So imagine my delight when I discovered Kirk Russell’s Shell Games, a well-told mystery with numerous plot twists and turns, which begins with the discovery of a pile of hundreds of empty abalone shells and two abalone divers tortured to death in a fictional state park south of Fort Bragg. “They started up the creek trail, skirting waist-high greasewood and taller poison oak with dead leaves curled and drying. He smelled creek mud and the dry oaks…” Russell’s description of the scene transported me back to my old stomping grounds.


Protagonist John Marquez is a California Department of Fish and Game (DFG) warden, one of the unsung heroes in society’s struggle to save what’s left of our natural resources. Working undercover, he and his team of DFG agents are hot on the trail of large-scale abalone poachers who are threatening the survival of the species.


In the torture deaths of the two abalone divers, Marquez believes he recognizes the handiwork of a criminal mastermind he crossed swords with when he worked undercover in the Drug Enforcement Agency (DEA). As he carefully cultivates informants from abalone divers to seafood wholesalers, he learns – to his regret – that his own actions have sometimes tragic repercussions in other people’s lives.


Marquez and his agents stake out harbors, dive sites, and houses up and down the northern California coast, and Russell’s writing brings to life many of the spots that I’ve grown to love in my adopted home state. His descriptions of the various places where the action unfolds had me feeling the fog on my face and hearing the surf in the background.


Marquez lives in a house built by his grandparents on Mt. Tamalpais. “A wooded shoulder of Mt. Tam fell away to the right of the house and below there were stands of trees, open flanks of dry grass and folded ravines with oak and brush, then the ocean. In winter he watched the leading edge of storms approach…He had a partial view of the top of the towers of the Golden Gate Bridge…and still, it was dark enough at night to see the stars.”


Early in the story Marquez meets an informant near Half Moon Bay, transporting the reader along with him: “Forty minutes south of San Francisco Marquez left Highway 1 and drove through fields of pumpkins out to a broad stand of eucalyptus trees along the bluffs. Fog shrouded the high branches of the trees and under the canopy the road was wet and dark. Droplets ticked onto the hood as he parked.”


The current undercover operation has Marquez’s team based in a house in Fort Bragg, where “They met on Elm Street and walked down the old road alongside the Georgia-Pacific property, between the blackberry bushes and down to Glass Beach where for decades earlier in the past century the citizenry of Fort Bragg used to dump its garbage into the ocean. Over the years the broken china, glass, and metal had been worn by the ocean, the glass rounded like small stones that glittered now in the moonlight.”


Glass Beach is a real place that you can explore the next time you’re in Fort Bragg, as are the Sausalito docks: “Sodium lights strung along the dock hummed and swung in the wind and the shapes of Bailey and Heinemann flickered through the pale light of their rear cabin window. Across the bay, the skyline of San Francisco glowed with a hazy brilliance and as the night deepened and quieted he listened to the water lapping at the dock and faint strains of music…”


Marquez puts a lot of mileage on his truck during the course of this investigation, and just reading about the long drives involved in a day’s work made me road-weary!


Time and again the team comes within striking distance of the bad guys, only to have their bust thwarted by a turncoat informant, an unexpected maneuver by the poachers, or – the most frustrating and frequently encountered hurdle – jurisdictional problems. The cops in the small towns where the action takes place are often more of a hindrance than a help. And Marquez and his team aren’t just up against the evildoers; in this post-9/11 world, they must also deal with their wardens and patrol boats being diverted to operations for Homeland Security. Finally, the FBI seems to be after the same perpetrators as Marquez is, and they don’t care how many abalone or game wardens get caught in the crossfire.


Marquez is a believable protagonist, physically and mentally strong and devoted to his work. He’s knowledgeable as well. “A century ago, abalone had been so plentiful along the California shoreline that all you had to do was wade in a foot or two and pick them up. Shellmounds attested to how plentiful they’d once been…Diving came after the easy stuff was gone and we’re down to the end game for a species that has survived for a million years.” And yet Russell’s deft characterization prevents Marquez from being a self-righteous know-it-all.


Although everyone around him thinks he’s gone off the deep end when he jumps to the conclusion that his quarry is a shadowy figure from his own dark days in the DEA, Marquez trusts his instincts. He is emotionally grounded in the world with strong feelings for his estranged wife and stepdaughter, affection for his agents, and concern even for the informants who may be betraying him – feelings that raise the stakes as the action unfolds.


The story isn’t flawless. There are so many minor characters that I had a hard time keeping track of some of the agents on Marquez’s team and his informants. And I thought the foreshadowing of the book’s ending was a little heavy-handed.


But Marquez and those characters close to him are people I enjoyed spending time with, and I loved the glimpses of how a DFG agent works. “Tell most people that white abalone was the first ocean species humankind could genuinely claim bragging rights to extinguishing and they’d shrug. Big deal, extinctions happened. Talk about managing resources and they’d agree with you, as long as it didn’t cut into their lifestyle too much…Not much glamour in an abalone and there never would be.”


Such a down-to-earth perspective is intriguing in a world where “going green” is fast becoming more of a fashion statement than a philosophy. This John Marquez character will be worth getting to know better.


I look forward to reading the rest of Kirk Russell’s series.